Catalog: Silver

A 7" long, 1.1 T. oz., preserve or jelly spoon, this piece has a generously sized, 2 1/2" by 1 5/8", shell shaped bowl with a scalloped edge and slightly pointed tip.

Made by John Wendt in his Medallion pattern, it is stamped with his characteristic "Patent" and "925," along with the name of the retailer, Boston's "Bigelow Bros...

Stamped "Sterling" and with the "H&S" emblem of Hotchkiss & Schreuder, Syracuse NY, and retailed by "Austin & Prescott," Batavia NY, this piece measures 8 3/4" long and weighs 1.7 T. oz.

The pattern is Longfellow, which clearly follows after the Moorish and Egyptian Revival trends popular in its 1870s period.

It features a repeating series of palm fronds, palmettes, rosettes and ivy leaves along a shaped handle with a pyramid end...

This pair of grape shears (identified as scissors in period catalogues) is a far more consequential item than most of its kindred examples.

Model number "1772" made by Whiting, and so identified on the collar of one handle, along with a "925/1000" sterling designation, they measure 6 5/8" long and weigh a substantial 4.63 T. oz.

The handles are cast and solid silver and constitute the bulk of the weight, with the plated steel cutting end the remaining portion of the total...

An early line pattern, Gorham's Louis XIV, is Greek Revival in style in spite of carrying a French name.

The main feature is an anthemion leaf, with additional detailing reminiscent of Gorham's also Greek Revival Corinthian design of the same period.

This example is a lengthy 5 1/4", .9 T. oz., pair of sugar tongs with gold washed claw or talon grips and columnar legs...

One of William B. Durgin's earliest patterns, dating circa 1870, and commonly identified as Spray, this design features a bouquet of woodland flowers and grasses tied by a bow.

This motif appears in the top center of the handle, and is repeated on the lower front and backside heel of the join with the blade of this 6 3/4" long, 1.0 T. oz., master butter knife.

There is a script letter "R" monogram on the handle front...

One of Gorham's earliest full line patterns, patented in 1868 as stamped in the reverse of this 6 1/4" long, .6 T. oz., sugar spoon, Ivy has a tubular stem and broad, convex handle end that features an intricately rendered portraiture of ivy leaves and berries set against a stippled ground.

The handle reverse is engraved with a delicately inscribed, feathered "HC" monogram...

This 5 1/2" long, approximately .4 T. oz., teaspoon is one of three matching, exquisitely made, New England origin, pieces dating from the 1850s.

It has a Fiddle Tipt handle that is engraved "S M R" in fine script lettering set sideways on the front.

The bowl is well-formed, proportionate, has a pointed end, and rounded, tapered fins at the join with the handle.

Coin silver, it is marked "R.R. Conn" for the Fitchburg, Massachusetts jeweler...

Dating from the mid 19th century, these two matching master salt spoons each measure 3 3/4" long and weigh .6 T. oz. combined.

An Oval Thread pattern, they are stamped "Squire & Lander" for the New York City jeweler, along with the "star, lion, D" manufacturing mark of John L. Westervelt, Newburgh, New York.

The rounded bowls measure 1" by 3/4" and are moderately deep at 1/4".

They are engraved "Thorpe." in script set sideways on the handle fronts...

Massively scaled, this serving piece measures 10 3/4" long and weighs 4.4 T. oz.

Shovel form, it has a blade that is 4 1/2" long and 3 5/8" wide at the splayed end.

This has notched shoulders, wide flanged edges, and a central raised groove in the base.

The surface is extensively engraved in a leaf and flower motif with wriggle work on the flanged edges...

Measuring 6 5/8" long and weighing just over .5 T. oz., this mid 19th century spoon is marked "Coin" without any other identifiers. Given the style, it is likely New England or New York in origin.

A jelly or large sugar spoon, it has an engagingly naive quality about it.

The handle has a narrow stem, and flat, shaped, round, upturned end with a slight knob tip. The surface is engraved in a simple, but endearing, leaf and flower design. The flower appears to be a narcissus.

Standing 1 3/4" tall and 1 3/4" in diameter, this 1.3 T. oz., sterling silver napkin ring is a relatively large item.

It is marked "S 135" on the interior, which designator is thought to have been used by Wood & Hughes, New York City.

Dating circa 1880, it has a flat walled body with top and bottom rims. These are bordered by a repeating design that is in the manner of a Vitruvian scroll.

Apropos of its period, the sides are engraved in an Aesthetic design that features ferns or ...

Measuring 5 3/4" long each, and weighing 4.6 T. oz. the group, these solid silver oyster aka shrimp or seafood cocktail forks are all stamped with Gorham's "anchor, lion, G" emblem and "Sterling."

The pattern is Antique, issued in 1875. Akin to Old English, it has a rounded end with a tipt backside attached to a narrow shank.

There are three tines on each of these pieces, the lower one of which is hooked and wider than the other two.

In choice estate condition and never mo...

Bearing two telling marks, "S. Kirk & Son" used by the renowned Baltimore firm 1846-51, and "10.15" for the distinctive regional silver standard designation which is slightly less than coin, this place spoon measures 7" long and weighs 1.06 T. oz. (33 grams).

A handsome and well crafted piece, it has a Fiddle shaped handle with a subtle Tipt backside. The bowl has an exposed drop, and high, pointed and beveled, fins at the join with the handle.

The handle front is engraved wi...

Gorham issued a little known, often unrecognized and often unmarked, design named Imperial in coin silver in the 1850s and then re-employed the name for a different pattern in 1891, as found on this listing.

The later design incorporates a double lined border handle with a knob top. The central portion of the handle has a raised feature that appears to be, appropriate to the line name, a fleur de lis or the feathers in the Prince of Wales's badge.

This item is an 8 3/4...

Born in 1802, Albert Comstock Benedict was a prominent New York City silversmith during the first half of the 19th century and beyond. He worked in partnership with Egbert Scudder from 1828-36.

His mark, which appears on all four of these lengthy, 6 1/4", 2.3 T. oz. the group, matching teaspoons is distinct. It reads, "A.C. Benedict" over "28 Bowery, N.Y."

The handles are Fiddle shaped with Tipt backsides. There are high, rounded, fins off the bowls, and plain drops on the ba...

A choice period piece dating from the third quarter of the 19th century, this item is marked "English Sterling," along with model number "404."

Although without any other identifier, "English Sterling" was a short-lived term generally only used by makers John Wendt and William Gale, both New York City, and often appears on pieces retailed by Ball, Black & Co., also New York City.

A solid silver master salt dish, this is cauldron shaped, with a bowl that measures 2 1/8" across. It stands 1 ...

A stand out Renaissance Revival design, Gorham's Raphael dates from 1874.

It features a dense arabesque background surrounding a central bird with upraised wings. There is a shield-shaped reserve area, which in this instance is engraved with an Old English "H" monogram.

This example is a lengthy, 9 5/16", and weighty at 3.34 T. oz., berry or other serving spoon, such as casserole in contemporary usage or a rice spoon in Southern custom.

The bowls that Gorham produced in this lin...

Designed by Antoine Heller, renowned for his Beaux Arts figural patterns such as Versailles, Fontainebleau and Mythologique, equally commanding St. Cloud is by contrast non-figural.

Its leaf and anthemion subject, with tight, circular, elements reminiscent of fern fronds suggests Aesthetic influences, which is in keeping with its 1885 date of introduction.

This item is a 6" long, just under 1.0 T. oz. (30 grams), ice cream spoon.

The bowl is len...