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This 6" long, .8 T. oz., coin silver sugar spoon is an early example of his "Medallion" pattern, marked only "Patent 1867."
Relatively rare, the line is multi-motif, featuring a variety of different helmeted knight's heads facing left. This ...
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The handle front is diamond cut and wriggle work engraved, and has a block letter "E S" monogram, in a manner that bespeaks its age.
The handle reverse is fully hallmarked with a castle assay mark for Exeter, England, 1799-1800 date letter (George III), duty bust, lion for sterling silver, and "RJ" for silversmith Richard Jenkins (d. 1807).
The bow...
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Original Seal Top pieces trace to the 16th and 17th centuries, however, meaning this is a "conversion" adapted from a regular but later date, albeit mid 18th century in this instance, spoon.
The back of the handle is flat, while the front has chamfered...
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William Root and Frederick Chaffee were located in Pittsfield, in the Berkshires region of Western Massachusetts, and were in partnership 1830-1849.
These have Fiddle handles with Tipt backs and are all engraved in fancy, feathered script, lettering, "E T Boyd" on the fronts.
In very good condition, they are free of wear or damage suc...
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A 2" tall, 3 1/8" wide, 2.57 T. oz. solid silver shaving mug, it follows after the manner of a standard handled mug, save with the addition of a cupped and p...
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A highly refined piece, it has an overall matte finish and is finely engraved in what appears to be a wild rose or dogwood floral design on the handle, and a detailed butterfly set amidst bamboo or similar leaves in the bowl.
These motifs are very much in the Aesthetic style of its circa 1880 period.
There is an embellished Old English "C" monogram on th...
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The arched handle is an "Old English" pattern with a "Reverse Tipt" end. The front has a satin finish and is extensively engraved in a floral (anemone) and leaf design.
The engraving extends onto the flange of the bowl, and into the hee...
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The first and most immediate feature is the design. They are a "French Thread" aka "Fiddle Thread" pattern with concave shells at the terminus of each arm. The shell form is repeated on the cupped grips.
The wide arch has a gentle point on either side, where it accommodates an unusual crest, which is the second outstanding aspect of this. The crest shows a helmeted knight's shoulders and he...
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One distinguishing aspect is the combination of maker and retailer.
It is stamped with the "eagle, thistle, harp" mark of Philadelphia's Taylor & Lawrie." Catherine Hollan in Philadelphia Silver notes "they [T&L] advertised they had manufactured for Bailey & Kitchen then for Bailey & Co. for twenty years . . . (1857 adv)."
This is stamped "M.W. Galt & Bro.," for the Washington, D.C. firm establishe...
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It has four, relatively broad, pointed tines that are joined to a deep-shouldered, wavy-edged, heel that is engraved with an acanthus leaf design surface.
The tines retain a portion of an original gold wash on the upper sides.
Most references date the pattern to 1880, although Charles Carpenter in his benchmark Gorham Silver places it about 1883. This is ...
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This 4 3/4" tall, 3" diameter, tea caddy marked for the outstanding 19th century Connecticut manufacturing firm of Meriden Britannia is disabusing of this idea.
Cylindrical in form, the entire body is contoured in a dense, raised respousse acanthus leaf design.
Three figures are incorporated within this matrix.
One ...
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They are large, fundamentally plain, bands that stand 1 3/4" tall, are 1 5/8" in diameter, and weigh a substantial 2.93 T. oz. combined.
They are encircled around their mid points by 5/8" wide, applied, beaded edge, die rolled strips that incorporate a repeating series of Egyptian Lotus fronds interspersed with rosettes.
...
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They are all stamped "Duhme & Co.," for the Cincinnati manufacturer and jeweler, and all have the same feathered "TGM" monogram inscribed sideways on their handle.
The pattern is "No. 1," introduced in 1869.
These have twisted stems with flat, oval, ends, which are engraved with wriggle work borders as well as leaf and other period detailing."
An online commen...
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Also marked "Pure-Coin," this doubtlessly has Boston origins, likely made by Farrington and Hunnewell, based on the design.
It has an Old English, i.e. downturned, rounded end, Reverse Tipt handle.
The 4 1/2" long by 2 3/4" at the widest, blade is unusually shaped, with a double scalloped edge, a raise...
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It is marked on the underside with the crossed "stakes" or "swords" of "Fenniman & Co.," which was a short-lived, early 20th century, New York City silver manufacturer.
Other marks include "Sterling" and model number "368."
It has a 1" wide, scalloped and undulating, rim, and fluted walls. The base is slightly convex and is engraved with a lined script ...
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He was a freeman worker in 1765, dating this group of six, matched, 5 1/2" long, just over 3.0 T. oz. (95 grams) the lot, to the decades between then and Grigg's death in 1797.
They are all stamped "W.Grigg" in a serrated cartouche, which is one of four marks...
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Shovel form, it has a blade that is 4 1/2" long and 3 5/8" wide at the splayed end.
This has notched shoulders, wide flanged edges, and a central raised groove in the base.
The surface is extensively engraved in a leaf and flower motif with wriggle work on the flanged edges.
The handle is Old English with a rounded end and tipt backside. The front is bright cut engraved in a design ...
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McGrew offers dates 1841-59 for John A. Cole, New York City, as does Louise Belden in Marks of American Silversmiths and both sources indicate he was a manufacturer as well as jeweler, although these were likely onl...
