Catalog

A popular 1850s design, the leaf form on this 8 5/8" long, 1.9 T. oz., coin silver spoon was made by several makers with slight variation, including William Gale & Son who produced this piece, Gorham whose pattern was named "Josephine," and Henry Hebbard.

The leaf appears on the handle end front and back sides, in elaborated manner on the reverse heel of the bowl, and in smaller stylized form on the front join with the bowl.

There is an anthemion-like detail on both sides of the handle tip...

Marked "Sterling," "925/1000 in a shield," and "Duhme Co.," this 6 1/8" long, approximately 1.0 T. oz. spoon has Cincinnati origins and associations.

It has a Tipt handle with straight sides and rounded shoulders off the bowl. This departs from the pronounced Fiddle shape with angular shoulders typical of 19th century Ohio River Valley silver design.

The shell bowl is also something of its own form, with an undulating edge and a raised central vee extending from the handle ...

Marked with Watson's Mechanics division pennant emblem and the word "Sterling," this teaspoon measures 5 7/8" long and weighs a substantial 1.1 T. oz.

The pattern is a Daisy and appears to be a variant from Watson's Floral Series No. 2 issued in 1903.

As was characteristic of the company's products, the die work is intricately detailed, presented in high relief, and struck with precision.

The finish is a soft, satin gray.

The bowl of this is engraved in script with the ...

Made by Reed & Barton and akin to the company's Harelquin line of flower designs, this orange or grapefruit spoon has a cast handle with a narrow, branch-like stem.

An older piece, it is marked with R&B's "eagle, R, lion" emblem and the word "Sterling."

Measuring 5 3/8" long and weighing .6 T. oz., the pattern is an Orange or Orange Blossom, interpreted in something of an Art Nouveau manner.

Strongly naturalistic and intricately detailed, the fruit is round and full...

One of two identical place, i.e. lunch size, forks this piece measures 7 1/16" long and weighs a robust 1.7 T. oz.

Dating from the late 19th century, it is a quality item stamped "Hennegan, Bates Co." for the prominent Baltimore firm, and "Sterling."

The pattern is an engraved Lily, which is more accurately lily of the valley, and is one of several variations of the same theme made by numerous manufacturers of the period.

The bright cut work is set against an enhancing ...

An early production example of Gorham's Strasbourg flatware, this 6" long, .8 T. oz., sugar spoon is marked with the company's "lion, anchor, G" emblem, "Sterling," and "Pat. 1897."

One of Gorham's enduring patterns, the design features French scroll margins with a shell detail at the handle end.

This has a shell-shaped bowl that is finished in a bright gold wash on the interior and has decorated shoulders. This latter detail is only found on older pieces; newer items have plain sho...

One of William B. Durgin's earliest designs, the pattern on this 5 7/8" long, .64 T. oz., sugar spoon goes by the name Bridal, although it is also referred to as Bow, (Crossed) Ribbon or Knot, taken from the bow and knotted ribbon that appear on the handle front and back sides.

Introduced in the 1860s, it was initially made in coin silver and continued in production long enough to arc the transition to sterling, as examples in both standards exist (se...

Durgin introduced its Old Standish pattern in 1901 followed by New Standish in 1905. Both designs feature weighty, rounded end handles with multi-lined edges front and back sides.

New Standish adds a raised, rolled leaf detail at the handle end on the obverse.

This example is a 5 3/8" long, 1.06 T. oz., sugar sifter with an essentially hemispherical, 1 7/8" by 1 3/4" diameter by 1/2" deep, bowl.

The bowl has a raised vee on the heel where the handle joins. This prod...

References assign an 1880 introduction date for Whiting's "Antique Tip" aka "Antique Tipt" pattern made in sterling, but this fork is an example of an earlier, 1860s, version made to a coin standard.

Measuring 7 1/8" long and weighing approximately 1.2 T. oz., this is a lunch, or simply a regular or place, piece.

It is characterized by a narrow shank that broadens widely, comes to a point at an unturned end which has a raised scroll and diamond drop that looks something like a fleur-de-lis...

Little reference material is available about the Boston firm "N.G. Wood & Son" founded in the late 19th century, although based on the inventory of their goods still available, they were a major operation.

This item, a 5 3/4" long, .7 T. oz., circa 1880, sugar spoon, carries their mark along with the word "Sterling."

A high quality piece, it has an Old English Reverse Tipt handle that is bright cut engraved in an Aesthetic style floral, leaf, and grass design set on a satin finish g...

This spoon is a commemorative of one of the climactic events of the 19th century, namely the Chicago World's Fair, formally the World's Columbian Exposition.

Made by Whiting, whose "standing lion with W" and "Sterling," are stamped on the backside, this measures 5 7/8" long and weighs just under 1.0 T. oz.

The front of the handle incorporates the name of the event, along with "1893," as well as "Chicago" arrayed over a "star" and a staunch looking "phoenix head" (so identifie...

Modestly sized at 1 3/4" diameter, 1 3/8" wide, and weighing just over .5 T. oz., this napkin ring could have been part of a child's set (along with a mug, plate, and/or porringer for example), although not necessarily.

It has a three lobed body, the top and bottom ones of which are embossed in an Ivy and Vine pattern.

Again, this naturalistic portraiture is pastoral, almost naive, in its theme and could suggest the innocence of a child.

The interior is finished in a bright gold ...

Stamped with Durgin's early "bird surrounded by a wreath" emblem, and the word "Sterling, this 7 3/8" long, approximately 1.0 T. oz., master butter knife dates circa 1880 and reflects the naturalistic Aesthetic (also Eastlake) design sensibilities of its period.

It has a rounded end handle that gently curves upward from the flat blade. The front is engraved in a dense leaf design.

The blade, which has notched shoulders with a scalloped upper edge, is engraved with thre...

This coin silver teaspoon measures 5 7/8" long and weighs just under .5 T. oz. (14 grams).

It is marked "Benedict & Scudder" over "New York," a partnership dating 1828-36, with Andrew Comstock Benedict, who also worked independently, the more prominent and lasting name in silversmithing of the two.

The end of the handle features a raised Basket of Flowers. This, along with the Sheaf of Wheat motif, were two popular embellishments on the otherwise largely plain designs on silv...

Measuring 5 1/2" long and weighing .5 T. oz., this souvenir spoon is comprised of three sections.

The top consists of a well-articulated cast figure of a standing miner with a hat on his head, boots on his feet, balancing a pick axe in his right hand and contemplating a chunk of ore that he is holding in his left hand.

There is a small crossbar below the figure and it reads, "Millions in It."

The shank of the piece is comprised of a pair of twisted wires that resemble rope. These end in...

George Blanchard, along with sons Porter and Richard, represent a dynasty within the realm of American Arts & Crafts silversmithing.

With family roots in Gardner, Massachusetts, George originally worked with Arthur Stone. Porter went on to establish one of the most well-known silver workshops in California, where the family also founded the California Society of Arts & Crafts.

The "B09 in an oval" that appears on this 6 3/16" long, .87 T. oz., teaspoon was an early mark of the partnership,...

Made by the mid 19th century Boston silver manufacturer Farrington & Hunnedwell, this 5 15/16" long, .77 T. oz., coin silver sugar spoon was retailed by Worcester jeweler Benjamin Goddard, whose name, along with the maker's "F&H" mark, appears on the handle backside.

Very much in the manner of its 1860s period, and engagingly so, it has a twisted stem and a flat, shaped-edge, handle that is bright cut and wriggle work engraved in a period design.

The engraved area includes an open reserve ...

Gorham's numbered items were generally made in a limited number of pieces rather than a full line, and were often enhanced in some manner, such as incorporating unusual design and/or a higher degree of finish than regular production items.

This 4 3/8" long, .64 T. oz., pair of tongs are stamped with the number "15" on the inside arch along with Gorham's "lion, anchor, G" emblem, and "Sterling," and are, consistent with the above statement, an unusual design and particularly well-finished.

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