It is fully hallmarked for London, 1796-97, sterling silver, and makers Peter and Ann Bateman, who were members of the renowned Bateman dynasty.
It has a rounded end with tipt back, Old English, handle, narrow shank and thumb drop on the bowl reverse.
The bowl is well-shaped, evenly formed, and comes to a gentle point.
The handle front is engraved with what is p...
$95.00
The pattern is Forget-Me-Not, which is set in high relief and clear detail on each arm.
The arch is crimped for strength, while the grips are highly articulated, hairy talon style.
In superb condition and never monogrammed, these are without wear or damage and show a bright, even, finish.
Mark...
$95.00
The pattern is Whiting's Arabesque, which is rooted in Moorish design and was produced during the Renaissance Revival period of the 1870s. The primary feature is a standing griffin with widespread wings surrounded by traditional arabesque detailing.
There is a disk-shaped reserve area on the handle front, which in this instance has never been monogrammed.
The bowl is plum shaped, ...
$95.00
This example is a 6", approximately 1.1 T. oz., solid silver, cream ladle.
The 1 1/2" diameter, 7/8" deep, flat bottomed, tapered wall bowl is "bucket" form, which was a style popular in the mid 19th century. The interior is finished in a bright gold wash.
The reserve area on the handle front is ...
The pattern is Antique, issued in 1875. Akin to Old English, it has a rounded end with a tipt backside attached to a narrow shank.
There are three tines on each of these pieces, the lower one of which is hooked and wider than the other two.
In choice estate condition and never mo...
$95.00
This pair of 5 7/8" long, 1.09 T. oz., tongs is stamped "PB/WB" for Peter and William Bateman, members of the legendary family that also included matriarch Hester and Ann.
Other marks include a "lion passant" for sterling, a date letter for 1806-7, and a "bust" duty mark.
It has scalloped edge arms with bowl form grips. The arms are bright cut engraved in a leaf and floral design with wriggle work detailing.
The arch is broad and inscribed with an elaborated, feathered letter ...
$95.00
Grimwade's foundational London Silversmiths notes his parentage is undiscovered, but that he entered his first mark with William Jury c. 1758, with another mark for both 29 October 1759. Although he also registered marks as a buckle maker, Grimwade states "it is clear that he was principally a spoonmaker."
This 8 3/8" long, 1.86 T. oz., table or servi...
$95.00
The pattern is Union, made by John Wendt, and in this case retailed by "Starr & Marcus," New York, as stamped on the handle backside, along with "Sterling" and "Patent."
Introduced in 1862, Union is a period design that is similar enough to Gibney by F.H. Gibney, later Whiting, and also dating 1862, that the two ...
$95.00
This large, 8 3/8" long, heavy at 2.25 T. oz., solid silver, 20th century, fork is marked on the backside heel in English, "Made in Austria" and "Sterling," along with "Ges. Gesch." for "Gesetzlich Geschutzt," i.e. the German equivalent for patent, trademark, or copyright.
Lastly, there is a...
$90.00
Rococo in manner, the pattern also incorporates a series of scrolls and leafy elements that are complementary to the main figure.
This example is a 5 13/16" long, .9 T. oz., four tine sardine fork. The heel area is cupped and has raised scroll detailing on the shoulders.
There is a delicately engraved, fancy script "CLA" monogram...
$90.00
Having a double lined border, the handle end incorporates an anthemion flanked by scrolls, while there is a rosette placed midway up the shank, hence the pattern name.
This example is a 6" long, 1.3 T. oz., sugar sifter with a 2" diameter, round, pierced bowl with scalloped edges and coffered sides. The bowl is finished in a bright gold wash front and...
$90.00
A period piece, this has shaped arms, a broad arch, and cupped, aka acorn, grips.
All the exterior surfaces are bright cut and wriggle work engraved.
The arch has a reserve area that appears never to have been monogra...
$90.00
Dating circa 1865, the pattern is Olive, which appears on both sides of the handle. The front is engraved in an elegant, feathered script, "SLM" monogram set sideways in the reserve area.
The blade is triangular-shaped, 4 3/4" long and 2 3/4" at the widest, and has slightly raised...
$90.00
It was made by Gorham, whose "lion, anchor, G" emblem, "Sterling," model number "1670," and date letter "Q" for 1884 are stamped on the inside wall.
Plain sided, there are double rolled bands of roses with thorny vines and leaves set on the bias, impressed top to bottom. This alternates with diamond bright cut detailing bordering the rolled bands a...
$90.00
The main feature is an anthemion leaf, with additional detailing reminiscent of Gorham's also Greek Revival Corinthian design of the same period.
This example is a lengthy 5 1/4", .9 T. oz., pair of sugar tongs with gold washed claw or talon grips and columnar legs.
In superb condition, this pair have never been monogrammed on either the reserve shields on the ar...
$90.00
This late 19th century example of such work is No. 412, which is a 5" long, weighty at 1.5 T. oz., bon bon spoon.
The handle is cast, which technique enables a level of detail not achievable in a typical die struck item. Casting also produces a unique finish, which in this instance is softly grained.
The pattern on 412 incorporates flowers and acanthus le...
$90.00
The pattern is Whiting's Heraldic, which apropos of the pattern name, features the image of a medieval helmet prominently set at the top of the handle. The remainder of the design incorporates a dense array of high relief, scrolling acanthus leaves.
The bowl on this is the fancier of two that Whiting used for this line. It has a scalloped rim and rai...
$90.00
Likely dating from the 1870s, one private researcher has postulated Fessenden of Providence, Rhode Island, as a maker. Seymour of Syracuse produced some similar work, as did San Francisco sources, so no true solid attribution is at hand. What is incontrov...
