A highly collectible item, it is one of those items by which the whole notion of souvenir spoons is defined.
Celebrating Baltimore and its location on the Cheasapeake Bay, it features a die struck representation of the "North Point" monument in the bowl, as well as ...
This 5 7/8" long, .8 T. oz., example is a naturalistic form, portraying a twisting vine that turns back on itself to form a looped handle. The surface is textured, lending it a fully authentic look.
This form was made in at least tw...
This example of his production is a single, 6" long, not quite .5 T. oz., teaspoon, marked "N. Munroe," "10.15" for the Baltimore standard roughly equivalent to coin silver, and a "star," which may be a journeyman's mark.
It has a plain end with a slight...
The pattern is Whiting's 1880 "Berry," a multi-motif design that in this instance features blueberries. It is marked with the Whiting "lion" logo, "Sterling," and the name of the retailer, Boston's "A. Stowell & Co."
The bowl is acid etched in a design that features a large tree, no doubt Connecticut's famed "Charter Oak," and the word "Hartford," for the capital city of th...
The figure is surrounded by considerable imagery including wheat, a grape cluster, a shell, and clouds, this last details perhaps derivative of her mythological identity as a Titan associated with light.
This 5 3/4" long, just over .8 T. oz., pi...
It is sterling silver, model "4805A" made by Gorham in 1907, all of which information is indicated by the marks on the underside.
It is decidedly Art Nouveau in style, featuring raised wild rose blossoms and trailing stems arrayed on an undulating rim. The quality of the design and execution are such that th...
This example is a long handle, 8 7/8", .7 T. oz., two tine, olive or pickle fork.
In addition to the novel design, it has an unusual double twist handle. Overall it is an elegantly slender and graceful piece, well-crafted and finely finished.
It is in flawless condition, showing no polishing wear, having a fine fine, an...
This example is model number "5" by Gorham, and so identified by marks on the inside of the handle, which also include the word "Sterling" and a date symbol for "1889."
One other imprint by the pin that holds the two pieces together reads "Pat. 75," which no doubt is a reference to the spring mechanism that controls the pivoting arms.
The design on the hollow but all silve...
This example is a 7 1/2" long, weighty at 2.2 T. oz., all silver gravy ladle.
It has a large bowl that measures 2" in diameter and 1/2" deep.
The backside of the piece is plain, save for the Frank Smith "lion and S" emblem and the word "Sterling."
In excellent condition and never monogrammed, the only signs of use are sligh...
There are subtle aspects to the reticulated bowl that confirm the age of this. Having a shape that mimics an olive spoon, it has notched and chamfered shoulders, and a pointed and upturned end. The soft, satin matte, finish has a pale gold wash on front and back surfaces.
There is a flowing script "SS" monogram ...
This 5 1/8" long, light weight, three tine, strawberry fork illustrates the imaginative diversity of the firm's products.
Apropos of the firm's New England location, the handle features a sculptural portrait of a Victorian woman in bathing or beach garb, with her hand resting on a pier post. Below this is an array of seashore creatures, including a fish, ...
Price for the pair.
Made by George Shiebler, with a likely late 19th century date, they are imaginatively designed--which in reference to Shiebler is often an understatement--and extravagantly scaled. Both items are stamped with a "winged S" emblem, "Sterling," and model number "2733."
Each piece measures 10 1/2" long, with the fork weighing 3.2 T. oz. and the spoon nearly 3.4 T. oz. ...
It has a 1 3/4" wide, double border rim that has a hand raised leaf and floral design. Repousse as represented on this reflects a style and technique that was a hallmark of Baltimore silver, and this applies especially so to Kirk.
The interior has a line script monogram. As the base is flat bottomed, the piece co...
It is a fully original piece, i.e.not made up or custom, produced by William B. Durgin in its 1897 "Madame Royale" pattern.
The scroll, leaf and berry design borders the handle and flat area of the pick, repeating on the backside of the handle but not the pick.
There is a script "LHB" monogram engraved on the front.
It is in immaculate estate condition, free of bends or polishing wear, and having a brigh...
The multi-tine, reticulated serving end is quite faithful to the original, although there are subtle differences that distinguish it.
It is in flawless estate condition, and without a monogram or removal. The finish is bright...
The pattern, "Hamilton," dates from 1938, the late Art Deco period.
The thick handle is fiddle shaped with a double lined border, and otherwise plain save for a bit of extra shaping around the shoulders.
Never monogrammed, this is in very fine estate condition. Apart from light surface scratches, there are no signs of use. The tines remain pointed, straight and even, while the finish has a soft...
While Hollister was of no particular distinction, this pickle or early pastry fork is an unusual form in that it has four tines, the lowest one of which is widened. Most examples of such mid 19th century pieces have three tines.
The motif is dominated by laurel and other leaves arranged in sprays, clusters, and wreaths, all surmounted with a scroll handle terminus.
The pattern is high relief and substantial, as evidenced by the 2.0 T. oz. weight of this 7 5/8" long, chipped beef fork.
The serving end has four, lengthy, splayed, tines, shaped shoulders, repeats the pattern theme...