$56.00
An olive variant which incorporates what may more accurately be interpreted as anthemion or honeysuckle portraiture, this design is attributed in Silver in the Golden State to the San Francisco firm of Frederick R. Reichel, and identified by the name Olive.
$65.00
A tea ball, it is egg or acorn shaped, 1 3/4" tall and 1 1/4" wide, with a 4" long chain attached to a 1" diameter ring. It weighs approximately .6 T. oz.
The bottom half has round piercings, while the hinged top is solid and engraved with an Old English "F" monogram. There is a snap lat...
It is an original production example of Reed & Barton's Love Disarmed, issued in 1899, and is marked with the company's "eagle, R, lion" emblem, "Sterling," and "Pat. Appl'd For," all in very fine lettering.
All the details are exactly as they should be on an old example save that, significantly, the floral tip on the pattern is missing. It either broke off at some time, or this is a consequence of a defect in manuf...
$42.00
An older piece, it is marked with R&B's "eagle, R, lion" emblem and the word "Sterling."
Measuring 5 3/8" long and weighing .6 T. oz., the pattern is an Orange or Orange Blossom, interpreted in something of an Art Nouveau manner.
Strongly naturalistic and intricately detailed, the fruit is round and full...
$135.00
It is marked with the company's "eagle, R in a shield, lion" emblem, "Pat. Appl'd For," and "Sterling" on the reverse, all in precise, fine lettering as would be expected of an original piece.
In addition, it is engraved on the backside in an Old English letter "C" monogram.
An extravagant design, the multi-floral portraitur...
$60.00
Issued at the turn of the 20th century, the pattern features a variety of deeply textured and highly detailed flowers, each one specific to the particular item.
The portraiture on this is poppy.
It has talon grips and a wide arch with raised edges on either side.
The arms s...
$95.00
A multi-motif, Art Nouveau, design that features orchids, narcissus, and possibly poppy on this piece, the portraiture is set in high relief and is particularly expressive.
This item is laden with provenance, reflected in the various inscriptions that appear in the gold washed bowl and handle front and backsides.
The surname "McCurdy" is engraved in Old English lette...
$48.00
As with much of R&B's work, the line was heavy, and that is so for this 6" long sugar spoon which weighs nearly 1.2 T. oz.
This has a generously sized, three lobe, bowl with embossed scrolling on the heel and shoulders. It is finished in a deep, matte, gold wash front and backsides.
Clearly a twenty-fifth anniversary gift, the bowl interior is elegantly...
The spoon for example would work as a casserole, rice, or fruit server, and the fork would work as a vegetable or entree server.
Made by Reed & Barton, whose "eagle, R, bird" emblem, "Sterling," and "Pat. Jan 6 1893" are stamped on the handle backs in fine lettering (see enlargemen...
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It is marked with R&B's "eagle, R, lion" emblem, "Sterling," and "Pat. Appl'd For," all in fine, precise lettering as would be expected on an old piece.
It also carries the retailer's stamp, "Cady & Olmstead," Kansas City, Missouri, and as was customary with this multi-motif floral line, the name of the fl...
$34.00
Toward the Art Nouveau in manner, the design features a single full blossom at the top of each arm, with a bud and abundance of leaves below it.
Interestingly, and unusual for tongs which generally have plain surfaces on the insides, the pattern ...
$125.00
It is fitted with an original, removable, cardboard liner that has a cloth base and purple "velvet" interior. The silver apart from this weighs 4.0 T. oz.
The bottom is flat and the walls are entirely smooth and straight sided, while the top is faintly domed and is acid etched in an intricate floral and ...
$80.00
La Parisenne, the pattern on this 6 3/4" long, weighty at 2.12 T. oz., gravy is another expressive Reed & Barton design from this period.
A multi-motif floral line, the image on this is a water or pond lily (whether by inten...
$285.00
Redlich & Co., whose "lion" emblem appears on the underside, traces to George Shiebler through one of its two cofounders, Adolph Ludwig, who was a designer with the latter firm.
Grogan & Co., also imprinted on the underside, was a carriage trade Pittsburgh jeweler, with it and Redlich ...
$235.00
A relatively large, 7" tall, 5.17 T. oz., solid silver muffineer, i.e. sugar shaker or caster, every facet of the piece, inside, outside, and underside, shows dense hammering that has a chiseled character to it.
It was made by Redlich & Co., New York City, whose "animal head mark," the word "Sterling," and model number "7470" are stamped on the underside.
The d...
$175.00
There is ample biographical material about him available online, including the site "chicagosilver," which notes that he graduated from the "Cleveland School of Art" in 1898 and maintained strong ties with Boston where he studied further and worked briefly.
The "New York Metropolitan Museum of Arts" holds a silver casket made by him circa 1907 which reflects the influence Ch...
He produced jewelry and flat and hollow ware. In addition to the piece noted above, the Rhode Island School of Design Museum has a leaf form spoon of his that is listed on its online catalogue.
Working from 1897 onward, he established the partnership of Potte...
$60.00
First, the pattern which is Ruby by John Polhamus (later Shiebler) is a superb expression of the Greek and Egyptian Revival modes popular in its 1870 period.
It features a central palmette set atop something akin to a papyrus leaf. There is a rosette flanked by ivy leaves situated on the pointed tip end. These elements are surrounded by addition...