Catalog: Silver: Sterling: Flatware

The handle is hollow filled and comprises 5" of the total length of the piece, and is sterling silver, while the six-sided, pointed tip, sharpener is plated steel.

This is an early production item made by Gorham in its 1895 Chantilly pattern, marked "Sterling" and with the company's "lion, anchor, G" emblem imprinted on both sides of the edge of the handle at the place where it meets the guard...

The upper portion of the handle is shield-shaped and features an intricately rendered portraiture of raised ivy leaves and berries set against a stippled ground, with a leafy margin along the lower edges.

This example is a 7" long, 2.1 T. oz., sugar sifter with a large, 2 1/2" diameter, 3/4" deep, shell-shaped bowl...

This master butter knife is a lengthy at 7 7/8", and weighty at 1.61 T. oz., early example of Gorham's Old Medici marked with the company's "lion, anchor, G" emblem, "Sterling," and "Copyrighted" on the handle backside.

Old Medici is one of the many expressive patterns created by renowned Gorham designer Antoine Heller. It features a variety of figures and imagery drawn from the Italian Renaissance period...

This 7" long, relatively weighty 1.32 T. oz., preserve or jelly spoon is a particularly fine example in pristine condition.

It has a generously proportioned, 2 1/2" long, 1 5/8" at the widest, 1/2" deep, shell form bowl with scalloped edges and a ribbed interior, all finished in a pale, satin matte, gold wash front and back sides...

The pattern is Union, made by John Wendt, and in this case retailed by "Starr & Marcus," New York, as stamped on the handle backside, along with "Sterling" and "Patent."

Introduced in 1862, Union is a period design that is similar enough to Gibney by F.H...

Other marks include the company's "lion, anchor, G" emblem, "Sterling," and the word "Gorham," which may indicate the piece was sold in the company's New York City store, or it may simply be a redundant mark...

The pattern is Fiddle Tipt which is a mid 19th century design. Each one is engraved with a fancy, feathered script, "A. R." monogram set sideways on the handle front.

These are marked "Sterling" when coin would be expected for this style, so whether they are early sterling examples, or later production pieces of an older design is uncertain...

It is an original production example of Reed & Barton's Love Disarmed, issued in 1899, and is marked with the company's "eagle, R, lion" emblem, "Sterling," and "Pat. Appl'd For," all in very fine lettering.

All the details are exactly as they should be on an old example save that, significantly, the floral tip on the pattern is missing...

The pattern is a (Fiddle) Tipt, with beveled edges along the margins of the handles. The ends are slightly upturned, and the tines are long and tapered...

Sterling silver, they were made in Birmingham, England in 1833-34 by the firm of Taylor & Perry. The spoon is stamped with five identifying hallmarks, with the fork and knife having confirming partial marks.

The pattern is a robust grape leaf and fruit cluster that appears on the front and backsides of all three pieces. The spoon also has an elaborate, raised shell, motif on the heel reverse.

The solid sil...

The first and most immediate feature is the design. They are a "French Thread" aka "Fiddle Thread" pattern with concave shells at the terminus of each arm. The shell form is repeated on the cupped grips.

The wide arch has a gentle point on either side, where it accommodates an unusual crest, which is the second outstanding aspect of this. The crest shows a helmeted knight's shoulders and he...

A dinner fork, it is a lengthy 8" and is exceptionally heavy at 2.4 T. oz.

Very finely crafted, it is a "Tipt" aka "Fiddle Tipt" pattern, with high, angular shoulders off the gracefully curved heel of the bowl. The four elongated tines are slender and pointed.

The handle backsi...

English in origin, it is hallmarked for London, 1805-06, sterling silver, and "TW" for maker Thomas Wallis.

The slender handle is "Old English" style, with a rounded end and tipt backside. There is thumb drop on the bowl reverse.

Never originally monogrammed or inscribed, this was apparently re-presented as a 25th commemorative gift, given the script "1928/L/1953" engraved on the ...

A period piece, this has shaped arms, a broad arch, and cupped, aka acorn, grips.

All the exterior surfaces are bright cut and wriggle work engraved.

The arch has a reserve area that appears never to have been monogra...

This pair of 5 1/2" long, .9 T. oz., tongs is stamped "PB/WB" for Peter and William Bateman. Other marks include a "lion passant" for sterling, a date letter for 1809-10, and a "bust" duty mark.

A fully period piece, this has slender, tapered, arms with a broad arch and cupped grips and is extensively bright cut in a leaf an...

This example of his work is a 7" long, weighty at 1.3 T. oz., place or dessert spoon.

The marks on this, "A.E. Warner" along with the peculiar to Baltimore "11" assay stamp (midway between coin and sterling silver), is one of seven documented in the above reference...

The handle front is diamond cut and wriggle work engraved, and has a block letter "E S" monogram, in a manner that bespeaks its age.

The handle reverse is fully hallmarked with a castle assay mark for Exeter, England, 1799-1800 date letter (George III), duty bust, lion for sterling silver, and "RJ" for silversmith Richard Jenkins (d. 1807).

The bow...

Having a Hanoverian handle, the end is upturned and tipt, while there is a long drop, evolved from a rattail, on the bowl backside.

The handle reverse is engraved in a period "S + S" monogram.

In very fine condition, this is free of noticeable signs of use, has a well-shaped bowl that retains a rounded tip, is free ...