Catalog: Silver: Sterling: Flatware

This 4 3/8" long, .64 T. oz., pair of tongs are stamped with the number "15" on the inside arch along with Gorham's "lion, anchor, G" emblem, and "Sterling," and are, consistent with the above statement, an unusual design and particularly well-finished...

Grimwade's foundational London Silversmiths notes his parentage is undiscovered, but that he entered his first mark with William Jury c. 1758, with another mark for both 29 October 1759. Although he also registered marks as a buckle maker, Grimwade states "it is clear that he was principally a spoonmaker."

This 8 3/8" long, 1.86 T...

Toward the Art Nouveau in manner, the design features a single full blossom at the top of each arm, with a bud and abundance of leaves below it...

New Standish adds a raised, rolled leaf detail at the handle end on the obverse.

This example is a 5 3/8" long, 1.06 T. oz., sugar sifter with an essentially hemispherical, 1 7/8" by 1 3/4" diameter by 1/2" deep, bowl.

The bowl has a raised vee on the heel where the handle joins...

The handle is hollow filled and comprises 5" of the total length of the piece, and is sterling silver, while the six-sided, pointed tip, sharpener is plated steel.

This is an early production item made by Gorham in its 1895 Chantilly pattern, marked "Sterling" and with the company's "lion, anchor, G" emblem imprinted on both sides of the edge of the handle at the place where it meets the guard...

The upper portion of the handle is shield-shaped and features an intricately rendered portraiture of raised ivy leaves and berries set against a stippled ground, with a leafy margin along the lower edges.

This example is a 7" long, 2.1 T. oz., sugar sifter with a large, 2 1/2" diameter, 3/4" deep, shell-shaped bowl...

This master butter knife is a lengthy at 7 7/8", and weighty at 1.61 T. oz., early example of Gorham's Old Medici marked with the company's "lion, anchor, G" emblem, "Sterling," and "Copyrighted" on the handle backside.

Old Medici is one of the many expressive patterns created by renowned Gorham designer Antoine Heller. It features a variety of figures and imagery drawn from the Italian Renaissance period...

A modernist, his work was hand fashioned, following after the Arts & Crafts movement that arose earlier in the 20th century.

This example of his work is an 8 1/2" long, 2.73 T. oz., solid silver, salad of other serving fork.

It has a plain, tapered, handle with sharply angled corners and a straight across end...

This 7" long, relatively weighty 1.32 T. oz., preserve or jelly spoon is a particularly fine example in pristine condition.

It has a generously proportioned, 2 1/2" long, 1 5/8" at the widest, 1/2" deep, shell form bowl with scalloped edges and a ribbed interior, all finished in a pale, satin matte, gold wash front and back sides...

Other marks include the company's "lion, anchor, G" emblem, "Sterling," and the word "Gorham," which may indicate the piece was sold in the company's New York City store, or it may simply be a redundant mark.

Gorham used a number of bowls for this line, and that on this, a small berry or preserve spoon, i...

The pattern is Fiddle Tipt which is a mid 19th century design. Each one is engraved with a fancy, feathered script, "A. R." monogram set sideways on the handle front.

These are marked "Sterling" when coin would be expected for this style, so whether they are early sterling examples, or later production pieces of an older design is uncertain.

That is one of two minor perple...

It is an original production example of Reed & Barton's Love Disarmed, issued in 1899, and is marked with the company's "eagle, R, lion" emblem, "Sterling," and "Pat. Appl'd For," all in very fine lettering.

All the details are exactly as they should be on an old example save that, significantly, the floral tip on the pattern is missing. It either broke off at some time, or this is a consequence of a defect in manuf...

There is ample biographical material about him available online, including the site "chicagosilver," which notes that he graduated from the "Cleveland School of Art" in 1898 and maintained strong ties with Boston where he studied further and worked briefly.

The "New York Metropolitan Museum of Arts" holds a silver casket made by him circa 1907 which reflects the influence Ch...

This example of the pattern is a large, 7 3/4" long, substantial weight at 1.54 T. oz., solid silver master butter knife.

The flat blade is set at an angle to the handle and has a scalloped upper edge and gently rounded end.

The handle reverse is engraved with a fancy leaf scrip...

It has a generously-sized, 3 1/2" by 2 1/2", flat blade with cupped and scalloped shoulders, and was probably intended as a hotcake lifter or pastry server.

The handle is a Pointed Antique design with a slightly downturned end. The front is bright cut ...

They are all marked with the company's "standing lion" emblem, "Sterling," "Pat. 1902," "R'd 1902," and with an Old English "O."

Further corroboration of their age is that they are sequentially dated in script lettering on the handle backsides, 1904, 1905, 1906, 1907, 1908 and 1909 respectively. They are not ...

It has a rounded end handle with a plain, concave back that is engraved in a script letter "JBS" monogram.

The front is ridged in a series of parallel swirls that overall are reminiscent of waves. The design relects a...