Catalog: Silver

Generously scaled, this coin silver server measures 10 1/8" long overall, has a 4 1/2" by 3" at the widest, blade, and weighs 3.3 T. oz.

It is marked "Blynn & Baldwin," for the Columbus, Ohio, pair of jewelers with approximate dates 1850-60.

The handle is in a double-sided "Kings" pattern that almost surely has Philadelphia origins, with kindred patterns illustrated in Catherine Hollan's encyclopedic Philadelphia Silversmiths...

A high style piece representative of the finest quality silver work generated in mid 19th Boston, this item is a substantial-sized water pitcher.

It stands 11" tall to the highest point of the lofty handle, has a bulbous, eight panel, baluster-shaped body that is 6" across at the widest, sits on a rimmed, 4 1/2" diameter, octagonal base, weighs 25.75 T. oz., and holds four pints (64 ounces) of liquid...

Born in 1785 in Albany, New York, sources indicate that Thomas H. Carson was working as a silversmith in that city in 1810 and in partnership there with Green Hall 1814-19.

This lengthy, 8 7/8" long, 1.9 T. oz., serving spoon is stamped with the "C&H" mark indicating that partnership.

The form is consistent with the period. The handle is plain front with a rounded end and a midrib on the backside and a plain drop on the heel of the bowl...

This intact youth set is comprised of a 7 3/8" long, 1.1 T. oz., solid silver flat handle knife, a 6 3/8" long, .9 T. oz., fork, and a 5 7/8" long, .64 T. oz., spoon.

In an Olive pattern, these are all original to one another with each engraved in script lettering, "C.J.A." to "C.A.P."

The commonality of the "C.A." letters prompts speculation about whether two generations shared names.

All pieces are stamped "C.A.W...

Measuring 8 3/8" long and weighing 1.1 T. oz., this relatively plain, c. 1850, serving spoon has a Fiddle handle, high, beveled and rounded, fins off the bowl, and a plain drop on the backside.

Coin silver, it is stamped C[harles]. C[arter] Coleman, for the Worcester, Massachusetts silversmith and jeweler with dates 1844-60. It has a "P (or T) W H" feathered script monogram engraved on the front of the curved handle...

Marked on the reverse "Palmer. Bachelders & Co.," this 6 7/8" long, 1.4 T. oz., coin silver serving spoon traces to 1860s Boston.

The pattern is Olive, which while a standard design that was widely produced, and notably popular in the Boston area, there are variations in design among manufacturers.

This example shows clean style, with balanced proportions and well-articulated detail...

Engraved patterns were immensely popular in the late 19th century and consequently many manufacturers produced them in an array of designs, especially florals.

One particular pattern that was widely embraced was the Lily, which is actually a lily of the valley engraved on this 8 3/4" long, 2.6 T. oz., berry or other serving spoon by Whiting...

Measuring 6 5/8" long and weighing just over .5 T. oz., this mid 19th century spoon is marked "Coin" without any other identifiers. Given the style, it is likely New England or New York in origin.

A jelly or large sugar spoon, it has an engagingly naive quality about it.

The handle has a narrow stem, and flat, shaped, round, upturned end with a slight knob tip. The surface is engraved in a simple, but endearing, leaf and flower design. The flower appears to be a narcissus...

A choice period piece dating from the third quarter of the 19th century, this item is marked "English Sterling," along with model number "404."

Although without any other identifier, "English Sterling" was a short-lived term generally only used by makers John Wendt and William Gale, both New York City, and often appears on pieces retailed by Ball, Black & Co., also New York City...

This all silver (not weighted, although it may have been originally) vase stands 10" tall on a 2 5/8" wide, tiered, base and weighs 7.8 T. oz.

It is hallmarked for "sterling silver," "London," "1898," and prominent English maker "William Comyns & Sons, Ltd."

Trumpet form, it has tapered sides that lead to a splayed top that measures 4 1/2" in diameter.

The uppermost 1 1/2" of the body, essentially the splayed area, features open leaf and flower (perhaps thistle) cut...

Measuring 5 1/2" long and weighing .5 T. oz., this souvenir spoon is comprised of three sections.

The top consists of a well-articulated cast figure of a standing miner with a hat on his head, boots on his feet, balancing a pick axe in his right hand and contemplating a chunk of ore that he is holding in his left hand.

There is a small crossbar below the figure and it reads, "Millions in It."

The shank of the piece is comprised of a pair of twisted wires that resemble rope. These end in...

An original knife, fork and spoon youth grouping, each of these pieces is stamped "C.A.W. Crosby" for the Boston jeweler, 1855 onward, and "Pure-Coin," which is a characteristic New England term indicating the silver content.

A double die struck (meaning the design appears on both sides) Olive pattern popular in the mid 19th century, each handle is inscribed in script lettering set sideways, "C.J.A. to C.A.P."

The blunt end, solid, knife measures 7 3/8" long and weighs 1.1 T. oz.; t...

Very heavy at just over 2.0 T. oz., this 7 3/4" long master butter knife is stamped "Crosy, Morse & Foss," for the 19th century Boston retailer, and "925 in an oval" for sterling silver.

Having a rounded "Antique" handle with a "Tipt" backside, the appeal of the piece lies in its quiet elegance and overall substance.

There is a handsome leaf script monogram engraved on the handle front.

The plain blade has a scalloped upper edge, a beveled lower edge, and an upswept, pointed, tip.

An...

An engaging regional period piece, this mug stands 2 13/16" high to the rim, 3 1/8" to the top of the handle, has a top span of 2 1/2" (3 3/4" to the end of the handle), a bottom diameter of 2 1/8", and weighs 3.1 T. oz.

It is stamped on the underside "Currier & Trott," along with "Coin," for the Boston partnership of jewelers and watchmakers with dates from the mid 1820s to the mid 1850s.

The style of this suggests it traces to the 1840s.

It has applied gadroon rims on the top a...

Credited with giving momentum to the surge in souvenir spoon collecting that began in the late 19th century, the first Salem Witch design was produced by Durgin and retailed by Daniel Low & Co., Salem, Massachusetts.

An immediately popular item, it was soon joined by a similarly themed pattern produced by Gorham, also offered exclusively by Daniel Low.

This 5 3/4" long, .8 T. oz., orange spoon is an example of the first, Durgin, version, marked with the company's "D" emblem, "Ster...

While the pattern on this 5 7/8" long, .9 T. oz., likely 1870s or 1880s, sugar spoon is by an unidentified maker and without a name, the design and execution bespeak a sophisticated American manufacturer, and there are enough various pieces of this that surface to confirm it was issued as a full line.

The pattern is intricate and rather courtly, in a Henry VIII or Elizabeth I manner.

The design elements include bellflowers, acanthus leaves, rosettes, beading and anthemia set ...

Generously-sized, this tea ball is a 1 3/4" diameter perfect sphere, hung from a 5 3/4" long chain with a ring end.

Solid silver, it weighs just over 1.0 T. oz. and is marked on the inside lip of the top half, "Sterling" and with the three part emblem of the "Howard Sterling Company," Providence, Rhode Island, used 1891-1901.

The interior of both the top and bottom are stamped "24."

It has a pierced dotted pattern top and bottom halves that forms an eight-pointed star.

In addition, t...

Lengthy at 7 5/8", this weighty, 1.3 T. oz., solid silver master butter knife is slender and graceful in design.

It has a thick, arched, plain handle with a "Tipt" end and a feathered script "B" monogram, along with a scalloped upper edge blade.

Dating circa 1870, it is marked "Sterling" and "Deming & Gundlach" for the Hartford, Connecticut partnership that was the 1859 successor to Walter Pitkin.

In exceptionally fine condition, the piece shows no significant wear or damage. The finish...