Catalog: Silver: Coin Silver

Slender and delicate, this piece measures 8 3/4" long and weighs just under 1.2 T. oz.

Marked only "Coin," without a maker's or retailer's identification, the rounded handle with notched tip essentially matches Gorham's early, 1865, "Italian" pattern, and the quality of manufacture suggests such a significant maker.

This is bordered by fine wriggle work engraving and has an elegant period "EC" feathered script monogram set in the center of the plain area of the surface...

Having a double Philadelphia provenance, this coin silver spoon is marked with James Watts' horse head emblem, and "George M. Bechtel" for the well-known retailer, 1850-60, later in partnership with George Eno.

It is a substantially sized piece at 9" long and weighing just under 1.5 T. oz.

Having a scalloped handle with an engraved surface, it reads as both characteristic for the period and for Philadelphia. The backside is plain save for the marks...

A matched set, this c. 1835, coin silver, 6 5/8" long, likely pickle, fork and 7 1/2" knife, 2.8 T. oz. combined weight, are marked "S. Richard" for the New York City silversmith Stephen Richard.

The handles are filled (which is included in the total weight above), and feature a complex, double-sided, pattern that incorporates leaves, scrolls, flowerets, and two kinds of shells, one that is spiraled and one that appears to be a nautilus...

As was a practice with many American silver manufacturers working in coin, even more so did Canadian silversmiths employ pseudo hallmarks imitative of English silver to identify their work.

This 8 5/8" long, weighty at 2.1 T. oz., circa 1840, coin silver table serving spoon is a case in point. It is stamped with a "crown, bust, lion" along with "IM" for John Munro, and "NB" for the province of New Brunswick, the city of St. John in this case, for the this maker...

A matching group in a Tipt aka Fiddle Tipt pattern, three of these four (two shown) teaspoons measure 5 1/2" long and one measures 5 3/4". The three collectively weigh 1.6 T. oz., and the single one .6 T. oz.

They are of archival interest for both the maker and the retailer.

Stamped with Whiting's "winged lion and W" emblem and "Coin," they are very early examples of a major 19th century silver manufacturer's modest origins...

A prominent, arguably the dominant, name among mid 19th century New York City retailers (before Tiffany's ascendency), "Ball, Black & Co." marketed a variety of work from important regional makers.

This coin silver piece is a large, 8 3/4" long, 1.9 T. oz., berry or other serving spoon, marked for BB & Co...

Measuring 8 1/8" long and weighing 1.8 T. oz., this coin silver item has a generously sized, 2 1/2" diameter, shell-shaped, pierced, bowl and "Reverse Tipt" handle.

Generally identified as a large sugar sifter, there is some argument to be made that pieces this scale from this period were actually early ice spoons.

In either case, it is a fine representation of what it is.

It is stamped "R...

Relatively lengthy at 6", with slender, Fiddle Tipt handles in a style that is particular to Baltimore where they were made, this group of four, matching, teaspoons weigh 2.3 T. oz.

Each one is stamped "S. Kirk & Son" along with the standard mark "10.15," which is roughly equivalent to coin silver. This specific combination of marks was used 1846-61.

Each piece has a feathered script "EVE" monogram engraved on the front and an exposed thumb drop on the bowl reverse...

A matched pair, each of these forks measures 7" long, while the two combined weigh 2.35 T. oz.

They are marked "I. Speer" and "Chicago" on the handle reverses.

Isaac Speer began work as a jeweler and watchmaker in Chicago in 1840, engaged in a partnership with Edward Cosper, 1852-53 (see Old Friends item 5463f for a Speer & Cosper ladle), and continued alone thereafter until 1870.

Coin silver, these date from the 1860s and are in a period pattern similar to Gibney's Tuscan and Po...

Catherine Hollan in Philadelphia Silversmiths offers dates of 1876-87 for the firm of "McCarty & Hurlbert," which is the name that is imprinted on the backside of this 9 1/4" long, 2.4 T. oz., berry spoon. Antecedent firms trace back to c. 1845.

It is also marked "Coin," which is late for this standard, as most manufacturers had converted to sterling by the 1870s.

It has an "Old English" handle with a tipt backside and a bright cut fine flower and leaf theme on the front.

The poi...

One of Gorham's earliest full line patterns, references date it to 1865 although this 7 3/4" long, 1.4 T. oz., solid silver master butter knife is stamped "Patent 1867," indicating a later date and situating it just before the company's conversion to a sterling standard in 1868.

Other marks on this include Gorham's "lion, anchor, G" emblem, and the name of the retailer, Philadelphia's "Geo. H. Bechtel."

"Ionic" is a Greek Revival design that incorporates a central rosette with a stylized a...

Josephine was one of the earliest line patterns produced by Gorham, as indicated by the "Patent 1855" and "Coin" that appear on the backside of this example, which is a full-size, 7 1/2" long, just over 1.5 T. oz., dinner fork.

The design is characterized by a die struck leaf, scroll, and anthemion that appear on the handle obverse, minus the leaf on the backside, and an expanded leaf on the reverse heel.

This has a fancy, feathered script, "AP Borden" en...

Each of these six matching spoons measures 5 7/8" long and is engraved with the same fancy, feathered line script, "AI" monogram. They weigh 2.35 T. oz. the group.

They are stamped "E.E. & S.C. Bailey," for brothers Ebenezer and Samuel, who established a partnership in Claremont, New Hampshire, circa 1825.

Particularly well-crafted and elegantly formed, they have slender, elongated, Fiddle Tipt handles with markedly upturned ends.

The bowls are relatively narrow and long, and ha...

Dating from the mid 19th century, this preserve or jelly spoon measures 7 1/4" long and weighs 1.0 T. oz.

It is stamped on the backside of the handle "J.E. Caldwell & Co." for the renowned Philadelphia jeweler and retailer of fine goods, and "Pure Coin," suggesting this piece may have been sourced from a New England manufacturer, given this term was typically used in that area.

It has a twisted central stem, with a broad, plum-shaped, tipt backside, end that is extensively engraved with br...

A large table or serving spoon, this piece measures 9" long and weighs 1.8 T. oz.

Coin silver, it is stamped "J. Guthre" for James Guthre, who worked in Wilmington, Delaware in the second quarter of the 19th century. References record him in partnership with Emmor Jefferis c. 1840.

Well-crafted, this has an exceptionally wide, flat with a slight downward arc, front with a subtle Tipt back, Fiddle handle.

This is engraved with a feathered, line script, "CP" monogram on the ...

Stamped "H&S" in two circles joined by a diamond for Syracuse, New York's Hotchkiss & Schreuder, this 8 3/4" long, 1.7 T. oz., berry spoon dates from the 1860s.

It is a fine representation of the design sensibilities and manufacturing skills of the period.

The stem is twisted while the scalloped edged handle end is flat with a slightly upturned tip. The surface of this has an engine turned background complimented with bright cutting and a wriggle work border on the backside.

There i...

Established in 1867, Schohay & Ludwig (later Schohay, Ludwig & Co.) produced high quality silver, although as the company was short-lived, examples of their wares are not commonly found.

Located in Philadelphia, the firm's work followed after regional style typical of the period and that is the case with this 7 1/8" long, .9 T. oz., preserve spoon.

It has a flat, ovoid handle with a Tipt end that is joined to a twisted stem. This is engraved in a bright cut, line, and wriggle work l...

Matched items, each of these two master butter knives measures 6 1/4" long with the pair weighing 1.3 T. oz.

Marked "Coin," they are without a maker's identification. The style suggests an 1860s date and the work is clearly that of a capable (American) manufacturer.

They have twisted shanks leading to broad, flat, upturned handle ends that are extensively and finely bright cut engraved on the top sides. Each piece has a feathered script "AMF" monogram.

The blades are oriented at right an...