Catalog: Silver: Sterling: Flatware

King(s), or English King as identified by Tiffany for its line of flatware in this style, was a pattern with English origins that was produced by numerous American manufacturers in many variants.

This example, a 6 3/16" long, .96 T. oz., serving spoon, is marked for Phildadelphia's Peter Krider and follows standard conventions for the pattern...

Dating circa 1870, this jelly or small preserve spoon measures 6 5/8" long and weighs .77 T. oz.

It is marked J.C. Kelley, along with "Sterling," for the Philadelphia jeweler in business 1849-77.

The pattern is an engraved leaf and grass design presented in an Aesthetic manner on a convex Antique Tipt handle with a mid point crossed ribbon...

Offered in both sterling silver and silver plate, Harlequin was a floral series issued by Reed & Barton circa 1890 and continued in production for nearly a century.

These eight pieces are from an original, old, set of 5 1/8" long, 4.56 T. oz. the group, 5 o'clock spoons marked with R&B's "eagle, R, lion" emblem and "Sterling."

The bowls all have the same soft satin very pale gold surface and are engraved with "HVR" monograms in flowing script lettering...

Originally associated with Herman Marcus as Starr & Marcus, Theodore B. Starr established his own firm in 1880. His work as a jeweler was renowned and he also produced silver hollowware (see Old Friends item 5551f) as well as some flat ware.

This 6" long, relatively weighty at 1.2 T. oz., sturdy sauce ladle marked "Sterling" and "Theodore B...

A 7 5/8" long, 1.7 T. oz., item, this piece is marked "W.J. Behan," along with "925 Sterling."

W.J. Behan is an elusive name to document, at least as relates to silver.

It is most associated with William J. Behan, who was mayor of New Orleans from 1882 to 1884, but there is no record that he was ever involved in the silver retail trade...

Introduced in 1889, Coligni stands alongside other enduring Gorham patterns such as Versailles, St. Cloud, and Cluny that originated at the hand of renowned designer Antoine Heller.

Heller was a classicist much of whose work reflects the Beaux Arts style. This mode is very much evident in Coligni which is a multi-motif line that incorporates draped, romantic figures arrayed amid opulent background imagery.

This example is a very large, 9 5/8" long, 4.6 T...

Among Gorham's oldest full line patterns, New Tipt was introduced in 1871.

Decidedly distinct from a standard Tipt design, it incorporates period Greek and/or Egyptian Revival motifs such as palmettes, reeds, and beading, set on a broad, pointed end, handle with a tubular shank.

This example is a 5 5/8" long, .7 T. oz., early pastry or pickle fork...

An expressive pattern from renowned Gorham designer Antoine Heller, Old Medici features a variety of figures and imagery drawn from the Italian Renaissance period.

This example, a 7 1/4" long, 1.54 T. oz. preserve or jelly spoon portrays a matronly looking woman in festooned garb. She is carrying a tray laden with fruit with a basket or other container hanging below this.

Additional details include a gargoyle, a pair of doves with raised wings, and leafy tracery...

This 6 15/16" long, 1.25 T...

A commanding piece in a dramatic pattern, this ice cream server, aka ice cream knife, measures 9 3/4" long and weighs a substantial 4.1 T. oz.

Made by Whiting, the pattern is Heraldic, issued in 1880.

Appropriate to the name, the imagery features a medieval helmet prominently set at the top of the handle. The remainder of the design incorporates a dense array of high relief, scrolling acanthus leaves.

There is a flowing script "EAW" monogram engraved in the shield reserve on the ...

An early production example of Gorham's Strasbourg flatware, this 6" long, .8 T. oz., sugar spoon is marked with the company's "lion, anchor, G" emblem, "Sterling," and "Pat. 1897."

One of Gorham's enduring patterns, the design features French scroll margins with a shell detail at the handle end.

This has a shell-shaped bowl that is finished in a bright gold wash on the interior and has decorated shoulders. This latter detail is only found on older pieces; newer items have plain sho...

The Baltimore Museum of Art volume Baltimore Silver notes that Andrew Ellicott Warner "is the best known of a family of silversmiths which included his father Cuthbert, brother Thomas, and son Andrew Ellicott Warner, Jr."

This example of his work is a 7" long, weighty at 1.3 T. oz., place or dessert spoon.

The marks on this, "A.E. Warner" along with the peculiar to Baltimore "11" assay stamp (midway between coin and sterling silver), is one of seven documented in the above reference...

Established in Jacksonville in 1868, Greenleaf & Crosby eventually evolved into Florida's premier fine jewelry house.

Their offerings included a variety of Florida themed souvenir items and table implements, many of them sourced from Gorham, which is the case with this early 20th century, 8 3/4" long, orange knife.

It has a filled handle in an orange blossom, bud, and leaf design. This is stamped "Sterling" and with Gorham's "lion, anchor, G" emblem on the ferrule at the join with t...

One of numerous mid 19th century silver manufacturers situated in cities along the Hudson River, John L. Westervelt of Newburgh was a major producer in his 1840s to 1880s period.

This lengthy at 7 1/2" and weighty at 1.3 T. oz., master butter knife is stamped with his "star, lion, D" emblem along with "Sterling" on the blade backside.

The pattern is Ivy, which was one of Westervelt's full line designs. Naturalistic in manner, Ivy faithfully represents this vine which served ...

Rooted in Moorish design and dating from the encompassing 1870s Renaissance Revival period, Whiting's Arabesque features a standing griffin with widespread wings set against a vine, leaf, and rosette background, all of which are quintessential elements of this design motif.

This ensemble is an ice cream set comprised of a server along with eleven (alas one of the no doubt once twelve has been lost to the group) individual spoons.

These are all part of a rarely found original set, no...

Engraved patterns were immensely popular in the late 19th century and consequently many manufacturers produced them in an array of designs, especially florals.

One particular pattern that was widely embraced was the Lily, which is actually a lily of the valley engraved on this 8 3/4" long, 2.6 T. oz., berry or other serving spoon by Whiting.

Introduced in 1882, the naturalistic floral and leaf elements are represented in an Aesthetic manner, set on a rounded end, Antique

Measuring 7 1/4" long, weighing 2.3 T. oz., and having a 2 1/2" diameter by 1" deep bowl, this is a substantially-sized gravy ladle.

The pattern is Whiting's Heraldic, which apropos of the pattern name, features the image of a medieval helmet prominently set at the top of the handle. The remainder of the design incorporates a dense array of high relief, scrolling acanthus leaves.

The bowl on this is the fancier of two that Whiting used for this line. It has a scalloped rim and rai...

This substantially sized, 10" long, weighty at 2.8 T. oz., piece has a double Philadelphia provenance in that it is marked "lion, K, crown" for maker Peter L. Krider, along with the name of retailer "Robbins, Clark, & Biddle." It is also stamped "Sterling."

These four, Krider, Robbins, Clark and Biddle, were all well-known and well-regarded names associated with the manufacturing and marketing of silver, and they had intertwining histories. This particular configuration suggests an 1875-78 da...