Catalog: Silver

The pattern is Longfellow, which clearly follows after the Moorish and Egyptian Revival trends popular in its 1870s period.

It features a repeating series of palm fronds, palmettes, rosettes and ivy leaves along a shaped handle with a pyramid end...

It is marked "Sterling" and "H & S" for Hotchkiss & Schreuder, Syracuse, New York, which firm operated operated under this name c. 1857-71, preceded by Bunnelle & Schreuder and succeeded by A.B. Schreuder...

It is a fine representation of the design sensibilities and manufacturing skills of the period.

The stem is twisted while the scalloped edged handle end is flat with a slightly upturned tip. The surface of this has an engine turned background complimented with bright cutting and a wriggle work border on the backside...

This 10 3/4" tall silver and cut glass claret jug is in full conformity with other examples of such Dresser items from this source, and as such is an important example...

It is over-the-cup style, with a round, 2 1/8" diameter by 3/4" deep, pierced, bowl. This has a narrow rim with a rolled edge...

The pattern is Margaret Old issued in 1907, preceding Margaret New, introduced in 1912.

Both patterns are identical save the earlier one includes a design detail at the join between the handle and bowl, tine, or serving end, while the later pattern is plain in the same area...

Marked on the underside "International" alongside the "C in a crescent" emblem of the Watrous division of that company, and "Sterling," it is identified as a model number "608/1" child's bowl with a likely early 20th century date.

Well-made, it has a sturdy applied upper rim, a rounded lower edge, and a flat bottom with a brushed finish on the underside...

They are marked "I. Speer" and "Chicago" on the handle reverses.

Isaac Speer began work as a jeweler and watchmaker in Chicago in 1840, engaged in a partnership with Edward Cosper, 1852-53 (see Old Friends item 5463f for a Speer & Cosper ladle), and continued alone thereafter until 1870...

It has a three lobed body, the top and bottom ones of which are embossed in an Ivy and Vine pattern.

Again, this naturalistic portraiture is pastoral, almost naive, in its theme and could suggest the innocence of a child...

His "JH" mark appears on this 5 5/8" long, approximately .4 T. oz., teaspoon.

The style dates it close to 1800 so represents some of his earliest work...

It is also stamped with the words "Coin" and "Patent" and the name of the retailer, Philadelphia jeweler "J. Einstein."

Catherine Hollan notes in Philadelphia Silver that Butler was "a member of the extended Butler-Peters-McCarty families" and that he worked as a partner with James Watts for one year, 1867.

The leaf and rosette with an ant...

Catherine Hollan in her encyclopedic Philadelphia Silversmiths notes Butler was a partner with Watts for "only one year 1867, then successfully continued independently manufacturing silverware with engraved patterns th...

Coin silver, it is stamped "J. Guthre" for James Guthre, who worked in Wilmington, Delaware in the second quarter of the 19th century. References record him in partnership with Emmor Jefferis c. 1840.

Well-crafted, this has an exceptionally wide, flat with a slight downward arc, front with a subtle Tipt back, Fiddle handle.

This is engraved with a feathered, line script, "CP" monogram on the ...

His readily recognizable "horse head over chevron," emblem appears on the handle backside, along with the word "Coin" and the name of the retailer, "George H. Bechtel," also Philadelphia.

The flat, shaped, handle has an upturned end and is bright cut and wriggle work engraved, all of which bespeaks the piece's Philadelphia...

It is a substantially sized piece at 9" long and weighing just under 1.5 T. oz.

Having a scalloped handle with an engraved surface, it reads as both characteristic for the period and for Philadelphia. The backside is plain save for the marks.

There is a handsome, feathered sc...

A silversmith and pewterer with a specialty in jewelry, he studied and worked in New York City until settling in Maine about midpoint in his life, and where he remained active until about 1980. One source describes him as a "true modernist."

This 5 7/8" long, nearly 1.3 T. oz., gravy ladle is an apparently rare example of his flatware work executed in sterling silver.

It ...

Generally identified as a macaroni server, the pronged edge with pierced bowl form of this 9" long, 2.4 T. oz., solid silver spoon also follows after what are described as fried oyster or simply entree servers.

While broadly similar, there is considerable individualization among these types of pieces from maker to maker and pattern to pattern. Invariably, though, they one of the more interesting and dramatic servers in any line.

The pattern on this, Argo, was introduced by J.B. &...