$100.00
Dating circa 1880, it is stamped "J.S. MacDonald" for the late 19th century Baltimore firm, and with the word "Sterling."
The "Old English Reverse Tipt" handle features an engraved "Lily" pattern that shows th...
$100.00
A dinner fork, it is a lengthy 8" and is exceptionally heavy at 2.4 T. oz.
Very finely crafted, it is a "Tipt" aka "Fiddle Tipt" pattern, with high, angular shoulders off the gracefully curved heel of the bowl. The four elongated tines are slender and pointed.
The handle backsi...
$100.00
His readily recognizable "horse head over chevron," emblem appears on the handle backside, along with the word "Coin" and the name of the retailer, "George H. Bechtel," also Philadelphia.
The flat, shaped, handle has an upturned end and is bright cut and wriggle work engraved, all of which bespeaks the piece's Philadelphia...
$100.00
This 6" long, weighty at 1.2 T. oz., specialty teaspoon falls into this category.
As with several of the pieces Hood illustrates, this is based on "a form related to conventional Antique" with "a chamfered edge around the front of the handle."
Apart from the exceptionally fine overall quality, the distinguishing feature ...
Auction
Sugar tongs, they measure 5" long, and at 1.7 T. oz., are exceptionally heavy for their size.
Stamped "S. Kirk & Son" and "10.15" for the peculiar-to-Baltimore silver standard that is essentially equivalent to coin, each arm is chased in a high relief flower and leaf design that is akin to Kirk's holloware of the period, as illustrated, for example, in Maryland Silver published b...
$100.00
Marked on the underside "International" alongside the "C in a crescent" emblem of the Watrous division of that company, and "Sterling," it is identified as a model number "608/1" child's bowl with a likely early 20th century date.
Well-made, it has a sturdy applied upper rim, a rounded lower edge, and a flat bottom with a brushed finish on the underside.
The sidewall is acid etched in two sc...
$100.00
Although without any other identifier, "English Sterling" was a short-lived term generally only used by makers John Wendt and William Gale, both New York City, and often appears on pieces retailed by Ball, Black & Co., also New York City.
A solid silver master salt dish, this is cauldron shaped, with a bowl that measures 2 1/8" across. It stands 1 ...
They present with something of a mystery.
Coffee spoons, the pattern matches Whiting's Renaissance Revival Arabesque pattern in every detail, save the backside of the bowls are stamped "800," which represents a German silver standard used prior to 1886 (Arabesque was issued in 1875).
Whether these were a direct copy manufactured by a...
Eleazer relocated to Portland, Maine about 1806, and from 1814-18 was in partnership there with Charles Farley.
Four of these six, essentially matched, coffee or tea spoons are marked "Wyer & Farley" along with an "ea...
$105.00
The form is uncommon and hence of uncertain function. It may be a spinach or toast/bread fork, or for another purpose yet. The proportions assure it is definitely original and not adapted from another piece as, for example, most potato forks are derived from dinner forks.
The maker was George Sharp, Philadelphia, as indicated by his "lion, S, ...
$105.00
The pattern incorporates traditional elements such as shell and honeysuckle, and embellishes them with rosettes and an acanthus leaf pendant.
This example is a generously sized 7 1/2" long, 2.1 T. oz., gravy ladle.
The bowl is particularly decorative (see enlargement two for detail). It has a wide, curved, rim with a ...
$105.00
The pattern is "Lorraine" and has antecedents that predate the company itself.
The handle is a "Pointed Antique" with a slightly "Tipt" backside. The front is engraved in a "Mayflower" design that has its origins in Baltimore and which evolved into a full line of flatware produced by Kirk under this name...
$105.00
A multi-motif floral, the portraiture on this is "peony."
Producer of such touchstone Art Nouveau designs as Raphael and Old Orange Blossom, Majestic reflects the same sensitivity to the subtle, flowing sensibilities of the mode, all expressed inprecise, intricate detail.
The serving end of th...
$105.00
Made by Gorham, the pattern is Cluny which bespeaks the French origins of its renowned designer, Antoine Heller.
The pattern features dense, high relief, floral elements with rosette and palmetto accents, and has proven to be enduringly appealing.
The handle backside of this is engraved in script, "A.P.W." over "Oct. 17, '91.," indicating the piece originated cl...
$105.00
The rim is acid etched in an elegant design of scrolling acanthus leaves with floral compliments.
One side has a shell-like reserve that is engraved with a line script "JNE" monogram.
Measured yet expressive in style and manner, this piece evidences the dignity and proportionality of traditional classic design.
D...
They are English in origin and fully hallmarked for London, 1897-98, sterling, and WG/JL for William Gibson and John Langman (also operating as the Goldsmiths & Silversmiths Co.).
Traditional in design, they are round, with heavily repoussed bodies, applied hatched rims, and stand on three lion's paw and shell legs.
Each piece has a reserve area which ...
$110.00
Made by Gorham, whose "lion, anchor, G" emblem and the word "Sterling" appear on the "Old English" tipt handle backside, the pattern is "Chrysanthemum," issued in 1885.
The imagery is finely rendered in bright cut work set against a satin ground.
The broad, 2 3/4" w...
The dies for the pattern were eventually acquired by George Shiebler, who extended production subsequent to all these antecedent firms.
These four, matching, 6" long, 3.2 T. oz. the group, teaspoons are older pieces, marked "H.H." for Henr...