Catalog

The quality of design and execution evident in this 7 1/2" tall, weighty at 6.8 T. oz., solid silver muffineer aka sugar shaker or castor bespeaks the reputation of its maker and the jeweler who retailed it.

Redlich & Co., whose "lion" emblem appears on the underside, traces to George Shiebler through one of its two cofounders, Adolph Ludwig, who was a designer with the latter firm.

Grogan & Co., also imprinted on the underside, was a carriage trade Pittsburgh jeweler, with it and Redlich ...

An image with roots deep in the history of theater, the harlequin figure has had many evolutionary manifestations.

This representation, a pair of 4 1/2" long, heavy at approximately 1.6 T. oz., tongs was made by Gorham, whose "lion, anchor, G" emblem and "Sterling" are impressed on the inside of one grip. These are illustrated in the company catalogue of 1888 (see above image 2) in a list identified as "sugar, olive, and bon-bon tongs."

Cast, these are highly detailed and portray the check...

Arthur Stone's name holds magisterial standing among American Arts and Crafts silversmiths of the first half of the 20th century. He and the workshop he established bespeak only the finest of hand worked products.

This piece is evidence of the above assertion. It is a 7 1/8" wide, heavy at 6.95 T. oz., plate with a 1" wide raised rim with an applied double lined edge.

It is imprinted with Stone's characteristic "hammer" emblem and "Sterling," along with a "T," for shop assistant Herbert Ta...

One of Gorham's earliest full line patterns, Grecian was produced to a coin silver standard beginning in 1861 and then continued in sterling from 1868 onward.

This example is marked only "Patent 1861" and with Gorham's "lion, anchor, G" emblem absent a sterling designation, thus indicating it is coin.

It is also the largest iteration of a ladle in this line and is for soup. In keeping with mid 19th century practice for this sort of item, it measures a massive 14" long and weighs 6.1...

Inspired by English and European antecedents, porringers were a favored form long produced by American silver and pewter manufacturers.

Consequently there is an ample inventory available in the antique and resale environment, with many offerings largely undistinguished, quite in contrast to this exceptional, solid silver item made by R. Blackinton & Co.

Large, the round bowl has a diameter of 4 7/8", a maximum span of 6 7/8" to the end of the "Chippendale" style handle, stands 1 5/8" high ...

Design number "610" produced by Gorham, this 7 1/4" long, 1.5 T. oz., confection (as identified in an 1892 Gorham catalogue) spoon was a special production item.

The tip of the handle features a rampant, i.e. standing, lion, set atop a columnar handle. The lower section of the handle just above the join with the bowl, portrays a stately looking, classical, female figure draped in flowing robes.

The bowl is fig-shaped, and imprinted in the center with an embossed floral cluster. The lowe...

Introduced in 1889, Coligni stands alongside other enduring Gorham patterns such as Versailles, St. Cloud, and Cluny that originated at the hand of renowned designer Antoine Heller.

Heller was a classicist much of whose work reflects the Beaux Arts style. This mode is very much evident in Coligni which is a multi-motif line that incorporates draped, romantic figures arrayed amid opulent background imagery.

This example is a very large, 9 5/8" long, 4.6 T. oz., serving ...

Gorham's Angelo aka No. 10 flatware pattern forms the core of the fabled (Henry Jewett and Elvira Irwin) "Furber Collection" of silver held at the "Rhode Island School of Design Museum."

Gorham Silver: Designing Brilliance 1850-1970 edited by Elizabeth Williams recounts,

"Sitting down to the Furbers' table, one would have been confronted with a bevy of Gorham flatware--687 pieces in all. The majority of serving and dining utensils are the Angelo pattern, which d...

True estate items, this group is being offered entirely as found on behalf of a direct descendent of the original owner.

Approximately 100 years old, the three large pieces--mirror, brush, and synthetic tortise shell comb--are marked with the Simpson, Hall, Miller division of International Silver's "helmet" emblem, along with the word "Sterling," while the two smaller pieces--nail file and shoe horn--are marked "Sterling Handle." (Please see both sets of images.)

This is an exceptional set...

One of the most expressive of renowned Gorham designer Antoine Heller's patterns, Medici aka Old Medici features figures and imagery drawn from the Italian Renaissance period.

Most references date the pattern to 1880, although Charles Carpenter in his benchmark Gorham Silver places it about 1883.

This piece is a large, 13" long, nearly 7.0 T. oz. (215 grams), all silver soup ladle.

The intricacy of the design shows to full advantage at this essentially massive scale...

This 8" long, 2.3 T. oz., solid silver sugar sifter is high Victorian in style. It is also a study in the silversmithing art.

Hallmarked for London, 1875-76, sterling, with a Queen's duty head, and "HH" for maker Henry Holland (later Holland, Aldwinckle & Slater), it carries considerable provenance. Holland and the subsequent firm were recognized as one of the most significant English silver manufacturers of their time.

This is artful in multiple ways.

First to be noted is the overall p...

These six, matching, 19th century, coffee spoons are a statement in design and technique.

Made by Gorham, whose "lion, anchor, G" emblem and the word "Sterling" are imprinted on the reverses, they are 4 7/8" long, and relatively very heavy at 4.37 the group.

Finished in a satin matte gold on all surfaces, they have blue (it may read black in the above composites, but it is a deep blue), yellow, and white enameled handles, executed in an Arabesque with rosettes design.

They...

Standing 2 7/8" high, with a top diameter of 2 3/8" and a bottom diameter of 1 7/8", a maximum span of 3 5/8" to the end of the handle, and weighing a relatively light but proportional to the overall size, 2.8 T. oz., this mug is marked "WwH" for Wood and Hughes, New York City, and "900/1000" for coin silver.

Baluster form, it has a beaded base with smaller beading encircling the top rim. The area of the body opposite the C scroll, hollow handle is chased in a floral (perhaps hibiscus)...

Gorham produced a line of specialty, cast, flatware, pieces of which were identified by a number preceded by an H designation. Items included large and small bon bons as well as a series of exceptionally large serving spoons, and perhaps other items.

This example is model number H156, as identified on the backside, which is also stamped with Gorham's "lion, anchor, G" emblem and the word "Sterling." Immensely scaled, it measures 10 1/4" long and weighs an exceptionally heavy 5.5...

It is unusual to find an intact set of twelve ice spoons along with their original serving knife, aka slice, and even more so to have the set in such pristine condition as this group.

Made by Frank Smith, whose early "S in a circle" mark and "sterling" are imprinted on the backside of all pieces, along with the name of the retailer, "Worcester & Co.," Lowell, Massachusetts.

The server measures 10" long and weighs 2.7 T. oz., while each of the spoons is 5 3/4" long with the twelve weighing ...

This basket stands 4 7/8" tall to the rim, reaches 7 1/2" to the top of the upraised swing handle, has a top diameter of 5 1/4", stands on a footed base that is 3 1/2" across, and weighs 9.4 T. oz.

Solid coin silver and dating circa 1860, it was made by Wood & Hughes whose "WwH" emblem is stamped on the underside.

It could be a sugar basket for large tea set, or perhaps a sweet meat server.

Very much a period piece, it incorporates design elements popular in the period.

The body and ...

One of several specially designed, numbered, oyster, aka shrimp or seafood cocktail, forks that Gorham presented in its 1886 catalogue (see enlargement 2), No. 10 features a ball top with twisted stems.

This offering is for a full set of twelve matched pieces, all in flawless, original condition.

Each one measures 5 7/8" long, while the group weigh 4.7 T. oz.

They have three tines, the center one of which is spear form, joined to a cupped heel with scalloped shoulde...

This solid silver bowls stands 3" high on a rimmed base that is 3 1/4" across, has a top diameter of 7 1/4", and weighs a substantial 14.18 T. oz.

It is marked on the underside with the "hammer over Stone" emblem of Arthur Stone, "Sterling," and "G" for benchman Herman Glendenning, who was with Stone from 1920 to 1936.

Glendenning seems to have been a major presence in the Stone studio. He is referenced numerous times in Elenita Chickering's foundational volume Arthur J. Stone 1847-193...