$100.00
His readily recognizable "horse head over chevron," emblem appears on the handle backside, along with the word "Coin" and the name of the retailer, "George H. Bechtel," also Philadelphia.
The flat, shaped, handle has an upturned end and is bright cut and wriggle work engraved, all of which bespeaks the piece's Philadelphia...
$100.00
This 6" long, weighty at 1.2 T. oz., specialty teaspoon falls into this category.
As with several of the pieces Hood illustrates, this is based on "a form related to conventional Antique" with "a chamfered edge around the front of the handle."
Apart from the exceptionally fine overall quality, the distinguishing feature ...
Auction
Sugar tongs, they measure 5" long, and at 1.7 T. oz., are exceptionally heavy for their size.
Stamped "S. Kirk & Son" and "10.15" for the peculiar-to-Baltimore silver standard that is essentially equivalent to coin, each arm is chased in a high relief flower and leaf design that is akin to Kirk's holloware of the period, as illustrated, for example, in Maryland Silver published b...
$100.00
Marked on the underside "International" alongside the "C in a crescent" emblem of the Watrous division of that company, and "Sterling," it is identified as a model number "608/1" child's bowl with a likely early 20th century date.
Well-made, it has a sturdy applied upper rim, a rounded lower edge, and a flat bottom with a brushed finish on the underside.
The sidewall is acid etched in two sc...
$100.00
Although without any other identifier, "English Sterling" was a short-lived term generally only used by makers John Wendt and William Gale, both New York City, and often appears on pieces retailed by Ball, Black & Co., also New York City.
A solid silver master salt dish, this is cauldron shaped, with a bowl that measures 2 1/8" across. It stands 1 ...
They present with something of a mystery.
Coffee spoons, the pattern matches Whiting's Renaissance Revival Arabesque pattern in every detail, save the backside of the bowls are stamped "800," which represents a German silver standard used prior to 1886 (Arabesque was issued in 1875).
Whether these were a direct copy manufactured by a...
Eleazer relocated to Portland, Maine about 1806, and from 1814-18 was in partnership there with Charles Farley.
Four of these six, essentially matched, coffee or tea spoons are marked "Wyer & Farley" along with an "ea...
$95.00
Soeffing shows a sugar sifter, while this is a 6 1/4" long, just over .8 T. oz., sardine fork.
The "Medallion" is cast and applied, portraying in this case a right facing female figure surrounded by engraved detailing, and on the sif...
$95.00
It was made by Gorham, whose "lion, anchor, G" emblem and the word "Sterling" are imprinted on the blade backside.
An engaging design, the handle portrays pastoral scenes, with a woman and dog tending sheep on one side, and a man on horseback with scurrying chickens on the other.
While unnamed, the internet has embraced the name "Barnyard" for ...
$95.00
A multi-motif, Art Nouveau, design that features orchids, narcissus, and possibly poppy on this piece, the portraiture is set in high relief and is particularly expressive.
This item is laden with provenance, reflected in the various inscriptions that appear in the gold washed bowl and handle front and backsides.
The surname "McCurdy" is engraved in Old English lette...
$95.00
A multi-motif design that incorporates scrolling, rosettes, and acanthus leaf detailing, the pattern is markedly elaborated.
This particular pair have added engraving on the upper portions of the arms. The leaf form grips are highly articulated and finished in a satin gold wash.
The arch has a folded crimp, which serves to add strength...
$95.00
The pattern is "Domestic," which employs a variety of design elements, the primary one of which is an intricate and finely rendered array of ivy leaves and vines, accented by a rosette midway on the handle and an anthemion at the tip.
This has a strikingly attractive bowl with fluted walls and a pierced interior. It is fini...
$95.00
Introduced in 1895, the pattern has beaded margins, with progressively larger beads toward the tipt end of the handle.
The scoop itself has a low cut, cupped, heel, with a rounded end with high, beveled, walls.
Never monogrammed, this is without wear or damage and has a bright finish. The only signs of use a...
A double die struck (meaning the design appears on both sides) Olive pattern popular in the mid 19th century, each handle is inscribed in script lettering set sideways, "C.J.A. to C.A.P."
The blunt end, solid, knife measures 7 3/8" long and weighs 1.1 T. oz.; t...
$95.00
This 7 1/2" long, 1.9 T. oz., gravy ladle is an early piece, marked "Coin," along with "Patent 1861."
The handle backside is engraved with an "H.A.B" monogram in Old English lettering.
The bowl is large, 2 3/4" by 2 1/4" by 1" deep, helmet-shaped, has ...
$95.00
A strikingly clean design, D&H's interpretation of this classic design has a slightly downturned handle with chamfered edges and a midrib backside. No. 2 adds a diamond cut border to the front, which is a motif common to English Georgian period silver.
The handle front is also...
It is fully hallmarked for London, 1796-97, sterling silver, and makers Peter and Ann Bateman, who were members of the renowned Bateman dynasty.
It has a rounded end with tipt back, Old English, handle, narrow shank and thumb drop on the bowl reverse.
The bowl is well-shaped, evenly formed, and comes to a gentle point.
The handle front is engraved with what is p...
$95.00
The pattern is Forget-Me-Not, which is set in high relief and clear detail on each arm.
The arch is crimped for strength, while the grips are highly articulated, hairy talon style.
In superb condition and never monogrammed, these are without wear or damage and show a bright, even, finish.
Mark...
