It is stamped "S. Kirk & Son" along with the Baltimore standard mark "10.15," which is roughly equivalent to coin, and in this particular combination of marks was used 1846-61.
Well-proportioned and clean looking, this presents in a quietly stately manner.
There is a feathered script "G" monogram on the front of the otherwise plain pie...
It measures 7" across, stands 2" tall, has a tapering body that rests on a 2 3/4" wide base, and weighs a robust 11.8 T. oz.
Made by Tiffany & Company, it is so marked on the underside, along with "Sterling Silver," "925/1000," and an "m" for John C. Moore II, director from 1907-47.
It carries the model number "18941...
The firm adopted the custom of identifying the year of manufacture of its pieces by imprinting them with the initials, set in a crescent, of the sitting President of the United States, beginning with the term of Calvin Coolidge.
This 5 1/8" long, quite heavy at approximately 1.7 T. oz., and consequently heavy gauge, sauce or cream ladle is sta...
They are stamped "Lincoln & Foss" for the mid 19th century (1848-57) Boston firm, and quite unusual for the date, "Sterling," rather than the expected coin silver.
The scroll pattern that appears on each leg is one that was probably produced by Farrington & Hunnewell,...
Relatively plain in design, it nonetheless bespeaks its origins.
The "Reverse Tipt" handle is extensively engraved on the front in a design that is evocative of Philadelphia work of the period. It incorporates leafy elements, wriggle work, bright cutting, and fine line hatching that mim...
Price for the set of six.
They are large at 5 7/8" and in New England especially, would have doubled, or even primarily served, as lobster picks.
They have smooth, polished, likely bone, off white colored handles and elongated silver-plated blades.
In immaculate condition, they are all but unused. There is no loss of plating on the picks, the bands ...
It is a 7 1/8" long, 1.0 T. oz., flat, solid silver, knife.
About the size of a master butter, it has a long, slender blade that comes to a point and is likely an early for its form, individual fish knife, and thus a scarce find for the period.
The pattern is double die struck, meaning ...
It is also engraved "B" over "R + E" over "1916," in block lettering as was typically used on Arts & Crafts items. Indeed it appears to be hand fashioned, and there were numbers of skilled si...
It is a souvenir piece depicting the city of St. Augustine, specifically the landmark "Old City Gates," as acid etched on the handle backside.
Generally found as a teaspoon, this is the less common citrus spoon variant, with a long, narrow, deep, bowl with a flange margin and point...
The first is "Danish Modern," taking its inspiration from the style popularized early in the 20th century by Georg Jensen. It also embodies the clean, sleek, look of the "Mid Century Modern" mode, which actually dovetails with the Danish aesthetic.
It was made by the Webster Company, whose "CW with an arrow" emblem is stamped on t...
The pattern is Dominick & Haff's "Renaissance," which features images of Florentine style, bearded figures on the end of the handle and the backside heel of the bowl.
This example, retailed by Boston's "Bigelow, Kennard & Co.," as indicated on the handle reverse, along with the D&H three part ...
The specific mark on this 7 1/4" long, 1.1 T. oz., "Reverse Tipt," coin silver, place spoon, "J.E. Merriman/123 Pearl St.," traces to his New York period. It is accompanied by a "leopard head, bust, star, leopard head" pseudo hallmark that John McGrew in his volume on manufacturers' marks attributes to an unknown New York City source.
It is a replica of an anointing spoon, also identified as a coronation spoon. These largely English items have a history that traces back to the late 19th century, with early ones like this, date mark 1904-05, generally the best crafted examples.
Indeed, this is hallmarked for the London firm of Carrington & Co. (John Bodman Carrington), which Jackson's Hallma...
Almost never marked, it frequently goes unrecognized for what it is, namely coin silver produced by the above maker. Wood & Hughes made a nearly identical pattern with t...
Price for the pair.
The pattern is Whiting's 1885 "Lily of the Valley."
These stand apart on two bases. One, they are the less common, twisted handle, form of this piece. Two, they were retailed by "William Kendrick's Sons," the renowned Louisville, Kentucky, jeweler, known as a supplier of julep cups.
They have front and back, gold washed, trident tines, that are sinuous,...
The pattern is "Apollo," which is a scroll, bead, and rose design that is very much in keeping with its late Victorian period (1892 issue date).
The cupped server on this is 1 3/4" long by 3/4" at the widest, and has a satin matte finish.
Never monogrammed, it is in excelle...
The rim is scalloped and the tapered sidewalls are undulating. The solid handle is twisted, with a smooth, square, grip at the top.
There is a large scale representation of a wild rose blossom, branch, and leaves acid etched on the otherwise plain body. Acid etching is a technique that produces a more textured surface than simple e...
The handle backside is plain save for the marks, which are the Frank Smith "lion" emblem and "925/1000 fine."
This example is a 6 1/8" long, relatively weighty at 1.0 T. oz., youth fork.
Although having a reserve area, this was never monogrammed and is in very good condition. Pattern detail remains well-defined and the finish is warm...