$48.00
This lengthy at 7 1/2" and weighty at 1.3 T. oz., master butter knife is stamped with his "star, lion, D" emblem along with "Sterling" on the blade backside.
The pattern is Ivy, which was one of Westervelt's full line designs...
This ensemble is an ice cream set comprised of a server along with eleven (alas one of the no doubt once twelve has been lost to the group) individual spoons...
$115.00
One particular pattern that was widely embraced was the Lily, which is actually a lily of the valley engraved on this 8 3/4" long, 2.6 T. oz., berry or other serving spoon by Whiting...
$90.00
The pattern is Whiting's Heraldic, which apropos of the pattern name, features the image of a medieval helmet prominently set at the top of the handle. The remainder of the design incorporates a dense array of high relief, scrolling acanthus leaves.
The bowl on this is the fancier of two that Whiting used for this line...
$185.00
These four, Krider, Robbins, Clark and Biddle, were all well-known and well-regarded names associated with the manufacturing and marketing of silver, and they had intertwining histories...
$32.00
As this does, motes spoons typically have a pierced bowl on one end and a pointed or spear tip on the other.
Most commentary about their purpose indicates mote spoons were originally tea related, used for filtering loose leaves, with the point serving to clear a spout of clogs...
$65.00
The finely rendered design incorporates a series of repetitive scrolls and palmettes on a slightly upturned, rounded end, handle, and includes a shield reserve, which in this instance has never been monogrammed...
Eleazer relocated to Portland, Maine about 1806, and from 1814-18 was in partnership there with Charles Farley...
Its distinguishing feature is the shell bowl with scalloped edges and a ribbed interior. This is finished in a matte gold on the front except for the heel, which along with the entire backside, has a bright gold surface...
It is clearly stamped with pseudo hallmarks that include a "lion passant," a "leopard face," "YS," and a "bust."
Intentionally mirroring late Georgian English style and period hallmarks, this is an example of Chinese Export silver, produced in this instance in Canton by the maker Yatshing aka Yat Shing.
As export silver, it would likely have been made to a sterling standard and is well crafted...
$45.00
$80.00
La Parisenne, the pattern on this 6 3/4" long, weighty at 2.12 T. oz., gravy is another expressive Reed & Barton design from this period.
A multi-motif floral line, the image on this is a water or pond lily (whether by inten...
$48.00
The pattern had variants or close parallels, of which this 9 1/8" long, 1.9 T. oz., coin silver table serving spoon is one.
It has a plain, chamfered edge, shank (vs. twist handle on other versions), a knob end, and very high, pointed and beveled edge, shoulder...
$195.00
As recounted in Silver in the Golden State, Vanderslice & Co. became "the longest lived of the nineteenth-century San Francisco manufacturing firms."
This piece is a 9 1/4" long, 2.54 T. oz., coin silver berry ...
On Hold
He was a freeman worker in 1765, dating this group of six, matched, 5 1/2" long, just over 3.0 T. oz. (95 grams) the lot, to the decades between then and Grigg's death in 1797.
They are all stamped "W.Grigg" in a serrated cartouche, which is one of four marks...
$235.00
A relatively large, 7" tall, 5.17 T. oz., solid silver muffineer, i.e. sugar shaker or caster, every facet of the piece, inside, outside, and underside, shows dense hammering that has a chiseled character to it.
It was made by Redlich & Co., New York City, whose "animal head mark," the word "Sterling," and model number "7470" are stamped on the underside.
The d...
$40.00
Measuring 6 1/4" long and 3 1/2" wide, it has a silver handle attached to a dense cluster of soft, natural bristles.
It was made by Gorham, whose "lion, anchor, G" emblem, "Sterling," model number "C159," and a date symbol for "1898" are imprinted on the lower edge of the handle.
The handle is hollow (and not filled), and features an asym...
They present with something of a mystery.
Coffee spoons, the pattern matches Whiting's Renaissance Revival Arabesque pattern in every detail, save the backside of the bowls are stamped "800," which represents a German silver standard used prior to 1886 (Arabesque was issued in 1875).
Whether these were a direct copy manufactured by a...